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Georges Seurat
The Sunday of Port en bessin
mk106
1888
Oil on canvas
66x82cm
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Georges Seurat
Entrance of Port en bessin
mk106
1888
Oil on canvas
54.8x64.5cm
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Georges Seurat
Impression Figure
mk106
1885
Oil on canvas
65x81.5cm
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Georges Seurat
Impression Figure
mk106
1885
Oil on canvas
65x81.5cm
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Georges Seurat
Impression Figure
mk106
1885-1886
Oil on canvas
64x81cm
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Georges Seurat
Iron tower
mk1061890
Oil on canvas
24x15.5cm
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Georges Seurat
Circus
mk115
1890-1891
Oil on canvas
186.x151cm
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Georges Seurat
Bathers at Asnieres
mk156
1884
Oil on canvas
201x300cm
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Georges Seurat
Sunday Afternoon on La Grande Jatte
mk156
1884-86
Oil on canvas
207.5x308cm
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Georges Seurat
Le Chahut
mk156
c.1889
Oil on canvas
172x140cm
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Georges Seurat
The Circus
mk156
1891
Oil on canvas
185.5x152.5cm
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Georges Seurat
Baders in Asnieres
MK169
1883-84
Shut down
210x300cm
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Georges Seurat
Bathers at Asnieres
mk170
1884
Oil on canvas
201x300cm
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Georges Seurat
The circus
mk178
1891
oils on linen
185.5x152.2cm
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Georges Seurat
Bather
mk191
1883-1884
201x301.5cm
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Georges Seurat
Detail of Bather
mk191
Oil on canvas
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Georges Seurat
Detail of Bather
mk191
Oil on canvas
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Georges Seurat
Dance
mk191
1889-1890
Oil on canvas
169x139cm
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Georges Seurat
Detail of Dance
mk191
Oil on canvas
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Georges Seurat
The Boy Wearing hat on the ground
mk191
Oil on canvas
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| Georges Seurat
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French Pointillist Painter, 1859-1891
Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting
Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism.
His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations".
Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.
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